The Trojan Purse and the subversive woman

This ten-foot high wooden purse on wheels was part of a week-long art festival in Prospect Park, Brooklyn. Happily for me the artist, Ethan Crenson, was on hand the day I came upon it, conducting dialogues with curious passersby. Why a “Trojan” purse? Was it filled with some kind of subversive material? No, Crenson told me. It was empty. The idea was that everyone could project their own feelings or ideas into it—anger at capitalism, the political system, whatever. I didn’t ask him why he’d chosen to make it a purse—probably because my own imagination immediately supplied a rationale.

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Between the Door and the Street: the stoop, and a conversation

Sitting by a stoop in Prospect Heights, Brooklyn, with three other women, discussing gender politics—as an art form. The yellow scarves signal that we’re part of Between the Door and the Street, a work of socially engaged art by California artist Suzanne Lacy. We were among 84 groups on stoops along the block, “performing” our unscripted conversations for a large crowd that strolled the sidewalk, stopping and listening at different stoops as they chose. We stoop sitters represented a huge range of local activist groups. My own group’s subject was second-wave feminism—how it changed us, how it changed society—and what[…]

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Where’s the OUTRAGE?

A city dweller—a true child of concrete—once spent the weekend with a friend in the suburbs. The friend’s cat snared a bird and as cats will do, deposited the corpse as a gift on the doorstep. The city visitor was indignant. “Aren’t you mad at Rudy for killing the pretty bird?” she demanded. “Why should I be angry at a creature for acting according to its nature?” the friend responded. Even at the time, I perceived a real wisdom in this answer (that city creature wasn’t me, by the way). But only recently do I see why. Not long ago[…]

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