When I put my out-of-print book Slaying the Mermaid: Women and the Culture of Sacrifice on Kindle, I had to decide how much to charge. Amazon limited me to charging $9.99 if I wanted the higher royalty, 70%. So I thought, I’ll underprice it a bit to make it more attractive, and listed it for $8.99.
Turns out that was way overpriced. Fierce pricing debates rage among indie authors on blogs and the Kindle online forums. Many charge 99¢—the lowest Amazon allows. One theory is that people will take a chance on anything for 99¢, so you start there to build buzz and then raise your price—all the way to $2.99. Another is simple: the less you charge, the more you sell.
But I think this debate isn’t just about how to sell more copies. It’s about what a piece of writing is worth. One writer posted an e-publisher’s price list (scroll down to find it) for different length works—ranging from a “Short Story” of 12,000 to 18,000 words ($2.50) to a “Plus Novel” over 100,000 words ($6.50).
I was distressed to see prices for books and stories quoted by volume, as though they were pounds of potatoes or bars of soap. I pointed out that a lot goes into writing that can’t be quantified that way. Research. Revision. Thinking. As magazine writers like to say, it’s harder to write short than long because of the additional effort (and skill!) needed to compress information into a tighter space. One person responded that she just wouldn’t fork over more than $1 for something that took less than an hour to read.
These indie authors are almost uniformly writers of genre fiction: horror, romance, sci fi, etc. My book is nonfiction, dealing with a serious question in many women’s lives, and based on a lot of research. Does that make a difference? Should I expect my readership to pay more than an audience looking for entertainment, a quick escapist read? Would they think that’s fair?
And a broader question: is my book—anyone’s book—really the equivalent of those doodads they sell at the 99¢ store—a worthless impulse purchase, but so cheap it doesn’t matter?
Amazon is amazing. They don’t miss a beat.
I just discovered that I can post a link to an online free sample of Slaying the Mermaid that people can read in their browser—no special software needed. You can read the entire first chapter; just scroll past the title and copyright pages. Makes me feel like a techie.
All you other writers, take note. Much opportunity for publicizing your ebook via the KindleBoards forums (where I learned about this online sample link). I just finished figuring out the html code for including both book cover and a tag line in my forum signature. That took all my brainpower this evening: actual posting, including figuring out the protocol for authors, will be next.
I have very mixed feelings about Amazon, but they sure do know how to sell books.
Have you noticed that when you’re deeply involved in something, you turn into a magnet for anything related to it?
I once interviewed Kay Gardner, a musician and composer of healing music (sadly, she died in 2002), who told me that during a time when she was intensively exploring the physical effects of sound—teaching experimental workshops and reading extensively—all sorts of information found her. “People sent me books and articles. Books would fall off shelves. A book would be handed to me through a crowd—just a disembodied hand like one of the aces in the tarot deck.”
In that state of focus, you become like flypaper—things sail in out of the universe and stick to you. That’s what it feels like, anyway. To take just one example: writing my book on homeless women, I struggled to untangle some complex ideas about what these women meant to people inside society. I was tackling a chapter about mental illness—which I was choosing to call madness, a term that gave this condition a lot more meaning.
One bright Saturday afternoon, walking down my block toward a nearby park, I came across a stoop sale, which included a bunch of books. (In my Brooklyn brownstone neighborhood, we don’t have front yards, but everyone has a stoop, so that’s where we set the items out.) I was tempted, but figured I’d check it out on my way back. Read more
Writing Craft & Practice has a new look, and a new life. I was hacked—some enterprising soul inserted stealth links to sellers of Viagra and Adderall at the bottoms of my pages, and Google didn’t approve. No use trying to clean it up since I had to update my software anyway. So all but a few of the old posts are gone (though all are still up on Facebook). And the focus has changed slightly, as my preoccupations shifted to include more ways that the inspirational aspect of writing intersects with skill and experience.
Buddhist meditators practice experiencing the mind as a vast, clear sky, through which thoughts, feeings, and all other experiences pass like clouds, appearing and then vanishing in an open space of awareness that’s not limited to the inside of the head. (Meditation teacher Jack Kornfield describes this practice here.)
Wassily Kandinsky, The Sky of Mind
Wassily Kandinsky’s painting Sky Blue (a detail of it is the header image above) combines that image of the mind as vast open sky with an experience I’ve had when writing at a very deep level. Part of the conceptual work for my books about homeless women and about self-sacrifice was simply discovering what they were actually about. I came across incidents, articles, and books, and generated images from my imagination, that I knew were important, but I didn’t know why, or what exactly they meant. And normal-type thinking about them didn’t help. Read more
I practice yoga, and I practice meditation. And I also “practice” writing. I like this concept, because it connects skill and inspiration. I’ll begin with skill.
One authority defines practice as “systematic training by multiple repetitions.” Other sources emphasize frequency, skill, instruction, discipline, and “artful management.” (Here is a thought-provoking collection of definitions.)
My practice of insight meditation shapes my thinking about writing as a practice. In meditation, you train your mind to stay focused by systematically returning over and over to your breath. You need instruction to learn how to do this. There is an art to choosing the particular technique (out of many) that is appropriate to a given moment. Read more